VARIOUS ARTISTS
More rockabilly gems from those relentless archivists at the mysterious Germany-based Buffalo Bop. Dwain Louis ("and Classmates" on the original 45 label!) opens with a moody rendition of Arthur Crudups "That's All Right," and it gets better from there, through the raucous "Queen Bee" by the Orbits and "Suzanne" by Ken Reed - he wasn't much of a singer, but the band is good and the cardboard-box texture on the drumming is evocative of a lost, freewheeling era in rock & roll. Butch St. Clairs "Get-A-Little" is about as suggestive a piece of white rock & roll as anyone was going to get away with ("Gonna get a little get a little get a little tonight").
Skip Goodspeed embodies more of a countrified sound on "Only Two Me and You," which is still played hot, but then things kick into high gear on Harold Lee's "Blond Headed Woman," a rough-and-ready rock & roll side with a kick-ass rhythm section, a hot piano player and lead axeman joining forces with a tough, raspy, but expressive vocal performance by Lee, who looks like a younger, more threatening Gene Vincent. "Umm" by Ken and Roy keeps the mood of teenage lust and abandon rolling -- not a really decent harmony between them, but what a roadhouse-band sound! -- and then the Fretts' "Rock 'n Baby'" rolls over everything with its mix of a hot beat, raunchy sax, and raw singing. The Sparkles won't make anyone forget the Sparkletones, but their dance number "The U.T." is a more than decent piece of period teen-dance rock, with some cool jangly guitars on the break and some nicely ecstatic girls' voices on the fade. Johnny Shea ("That's My Baby"), the Del Tones ("Rockin' Blues"), Ronnie Dove ("Lover Boy"), and Rudy Preston ("Don't You Go Chicken") highlight the rest of the extraordinary 30-song plunge into the obscure depths of rockabilly, which has one new wrinkle -- Chuck Hunt's breezy, raunchy "Barnyard Rock," originally on "no label," a first in this series, and it's a crying shame it never got issued back when. Oh, and then, just when it seems like things couldn't get any better, Billy Perkins' "Campus Cutie" opens up yet more libidinal possibilities. As usual, there are no notes, just some great pictures, but the music stands by itself.
(Bruce Eder, All Music Guide)
Titel: Campus Cutie Label: Dee-Jay
Stil: Rockabilly: 50's
Best-Nr.: Bb-CD55072
Typ: CD
Preis: 24.- CHF

Wichtige Mitteilung für Kunden ausserhalb der Schweiz oder Liechtenstein
Unser Schallplattensortiment wird seit 1993 in unserem Laden in St. Gallen (Schweiz) gepflegt.
Aus logistischen Gründen können wir leider keine Schallplatten mehr direkt an Kunden in Deutschland, Österreich und andere Länder liefern.
Wenn Du unbedingt eine unserer Platten bestellen möchtest, dann wende dich an einen Freund/in in der Schweiz oder Liechtenstein,
welche/r die Bestellung für dich tätigt und die Schallplatten für dich dort direkt entgegen nimmt.
Danke für dein Verständnis.
Nochmals klargestellt:
Bitte uns keine Anfragen per Mail etc. zusenden
ob wir nicht doch nach Deutschland liefern können,
wir können leider nicht.
|
Songs:
DWAIN LOUIS: That's All Right
DARRELL SPECK: How I Love You
ORBITS: Queen Bee
KEN REED: Suzanne
MONARCHS: She's Mine
BUTCH ST. CLAIR: Get-A-Little
BOBBY SHADLE: Please, Pretty Baby
SKIP GOODSPEED:
Only Two Me And You
HAROLD LEE: Blond Headed Woman
KEN & ROY: Umm
FRETTS: Rock'n Baby
BOBBY SHADLE: Come On Baby
SPARKLES: The U.T.
JOHNNY SHEA: That's My Baby
DEL TONES: Rockin' Blues RONNIE DOVE: Lover Boy
CHUCK HUNT: Barnyard Rock
RUDY PRESTON: Don't You Go Chicke
ORBITS: My Rosa-Lee
DEANS: Humpty Dumpty
BILLY PERKINS: Campus Cutie
DAVID STARR: Teen Doll
DEL TONES: Moonlight Party
ROY JAMES: Rock & Roll Mama
ROCK'N'ROLLERS: For You LANNY DUNCAN: Romeo's Teacher
FRANKLIN BROS: So Real BILLY PERKINS: The World Can't Roll
Without Love
JOE POPIEL: I Can't Live Without You
CAMEOS: I'II Keep Your Heart Forever

Weitere Platten vom Label Dee-Jay
Weitere Platten zum Musikstil Rockabilly: 50's
Bestsellers des Musikstils Rockabilly: 50's
Weitere Platten von VARIOUS ARTISTS
|